I am Pissed Off at Ridley Scott

Is that a Tsunami? No it's just Moses walking casually as the Red Sea hurdles behind him

Ok so, I decided to spend most of today in, and HBO in all of its wisdom was showing Ridley Scott's 2014 'biblical epic' Exodus: Gods and Kings. I knew the film got like almost universally horrible reviews except for some douche at Rolling Stone magazine, and that was to be expected. As a Jew who has watched Cecil B. Demille's The Ten Commandments (1954) every time it's broadcast on NBC right before passover, and as a Jew on the whole, I almost lost it. Of course I'd heard the incendiary comments that Christian Bale (who played Moses) say that Moses was one of the most barbaric people he'd ever researched. Um...really? Most biblical scholars would disagree. On top of which, Ridley Scott himself defended his 'creative choices' to have those very recognizable miracles in the Old and New Testament including the 10 Plagues of Egypt and the Parting of the Red Sea as 'natural occurrences'. Now, I'm all for different depictions of history, perhaps more modernized and appropriated for an audience that can't comprehend miracles decided by a burning bush. It is 2015 after all, but if you're a self-proclaimed atheist perhaps you should veer away from a movie who's source material is the Bible. Just sayin'. Also, maybe don't cast Aryan-looking actors from Wales and America to play messianic icons from Ancient Egypt and the Middle East. As I said, it's 2015. 

I don't want to nitpick (too late) but I remember some historian being really enamored at the fact that in this scene (where they are building the iconic Great Sphinx of Giza, the face seems to have very European features, you almost expect Michelangelo Buonarroti to be sculpting it)

But I was not only offended as a Jew, as a person with a passion for films more so. As a Jew I don't get offended that much. But as someone who grew up with those stories and no matter what spiritual changes I have made over my growing up, I still hold those stories (whether accurate or even possible) to be close to my heart. I love sitting around a Passover table and people telling their different recollections of one of the most interesting and moving Bible stories that exists, at least for people in my tribe. I came into it with hesitation, but I just had to see it, because those aforementioned miracles would have to appear somehow. But the film was devoid of any emotion, and generally empty and had no heart whatsoever. This is surprising from a man who single-handedly revived the Ancient Roman film with Gladiator and fucked up his own legacy of sci-fi horror with Prometheus. 

Seriously, only good part of this film, in perhaps on of the most heartbreaking scenes. The story goes that after 9 plagues, Moses warned Ramses ominously of a tenth that would be more devastating than the rest but wouldn't say what it was. After this, the proud Pharaoh finally capitulated, and Edgerton plays all of that beautifully.

Dragged for over 2 1/2 hours (granted Demille's version is well into 3 hours and change), this film kept all of the humanity out of it, not to mention pawned off the fascinating plagues and the most fascinating thing of all whether imagined or true; the parting of the Red Sea to be neutered into something that just naturally happened. Yeah, these might be fairy tales, but hey we all fell in love with Star Wars didn't we? What neutered the whole Darth Vader evil thing? Backstory. But I'm getting off topic. Aaron Paul as Joshua was almost laughable, and the fact that Moses has to talk to a messenger of God named Malak (the literal Hebrew translation into 'messenger of god') instead of talking to a burning bush was even more ridiculous than have Christian Bale talk to a burning bush. 

Demille's version is notorious for being one of the most inaccurate portrayals of the Exodus, but it was so much fun. Anne Baxter (right) plays a woman who didn't even exist much less cause a riff of jealousy between supposed brothers Ramses and Moses. Nevertheless, it was fun. And that's all filmmaking needs to be!

The only thing that stood out was the casting of Joel Edgerton as Ramses II. As we've learned from Yul Brynner from the Demille film, this is a Pharaoh that's a full on sadist. Even with his wife, he gets off at the suffering of others. And even coming close to that kind of iconic performance was a feat. I mean, Brynner totally stole the movie, especially for us women. Edgerton was perfect because he always seems to take a crap movie based on great source material (we all remember Gatsby) and make at least his performance brilliant, which he does. He's the exact type of angry and emotional that could play a conflicted and hardened narcissistic Pharaoh obsessed with his own legacy, not realizing an uprising is imminent. 

You think recreating the mass exodus of over 300,000 Jews out of Egypt is arduous? Imagine how Demille did it in the 50's with no CGI?

But that's the only point I can give it. Everything else was an abomination, and not in the Biblical context, though that had a lot to do with it, but in a film context mostly. It was a white washed version of again, one of the most amazing and mind-blowing stories in biblical scripture, that both old and new testaments acknowledge. Jews, at least reform Jews (as in Jews that don't care so much and just identify as such) don't treat the Old Testament as the holy gospel where absolutely every damn word is true and though about 4000 years old should be taken literally. It's just a book of stories, at least to me, and the holidays based on things like the Exodus out of Egypt or the Maccabean Revolt (Hannukah) are based on lessons that are universal; that every man is entitled to freedom, that being stubborn will alienate you, and if you have faith, no matter if in god, or yourself, or something greater than you, you will come out on top even under the most implausible odds standing in your way. I would hate it that when I have a family of my own, and NBC suddenly stops broadcasting the classic Demille film, albeit a total break from the actual context of the story of Moses and began showing Exodus: Gods and Kings instead which i not only an abomination of filmmaking, but of biblical stories, which I am sorry but perhaps should be left alone. Yeah, modern audiences aren't so much buying it anymore, well let's just say they are disinterested. I honestly don't think I've ever rolled my eyes so much...and I've seen Interstellar. 

Below, stuff on Demille's film, seriously, just watch that instead. 

Where Are They Now: Hot Guys of Black Hawk Down

When Black Hawk Down (Ridley Scott) was released in 2001 I saw it, count it, 4 times in the theater, that's not counting how many times I saw it after it was released on DVD. I didn't know what the Delta Force was, I didn't even know which part of Africa Somalia was in. But I'll tell you this much, pretty much every singe supporting player (and yeah the main players as well) were super hot and I couldn't get enough. Yeah, it was pornish you could say. They were all in uniform and heroic and all that jazz, and it's just so funny for me to now recognize them in some of the biggest shows/films today, it's like good job growing up, but I discovered your hotness first. I am the main reason for your success and you owe everything to me. Anyway, let's go down the list. 

Nikolaah Coster Waldau as MSG Gary Gordon

The biggest success from Black Hawk Down is obviously Nikolaj Coster-Waldau who stars in basically the biggest show of all time right now; Game of Thrones (which I DON'T watch so I have no idea if he's still on it or not, but he's also in that godawful disappointment of a film Mama (2013) and a bunch of other crap so he's definitely the breakout. And he had maybe 5 lines in Black Hawk Down, but believe your ass I didn't forget about him. I even learned how to pronounce his name properly out of respect. You probably still haven't done so. Get on it.

Tom Hardy as SPC Lance Twombly

Another obvious one is Tom Hardy, yeah he's in Black Hawk Down, for like 10 minutes, but I totally caught him. He was pretty gaunt back then and didn't exactly look like the massive sex-symbol he does now, but I got it, that's right people. Way before Chris Nolas was even writing Inception (2011) I was all over it. 

Charlie Hofheimer as Corporal Jamie Smith

Another one is Charlie Hofheimer. Who actually has a very dramatic death scene, so his role is pretty memorable (he tries to save Tom Hardy and is shot in a critical part of his leg and bleeds out). In case you don't recognize the name, he was a child actor actually who is currently on Mad Men as Peggy's leftist Marxist boyfriend (well ex-boyfriend now) Abe. He's hard to recognize with all that weird facial hair, but I can still dig it. 

Jeremy Piven is in Black Hawk Down and he's making it as a professional douche bag, moving on. 

Orlando Bloom is obviously in Black Hawk Down, in fact I remember it came out the same year as the first installment of Lord of the Rings; The Fellowship of the Ring (2001) and that's why the theater was mysteriously filled with teenage idiots. 

Kim Coates takes the edge off by sketching as Master Sergeant Tim "Griz" Martin

Kim Coates is another one if you blinked, you missed. He dies a pretty gruesome death, and has little over 2 lines, and he's doing really well for himself on the highly underrated show; Sons of Anarchy, because let's face it, he looks like he belongs in a biker gang, which just makes him hotter. 

Get this, Ty Burrell was in the fucking film. Yeah, TV's new favorite dad on Modern Family was in Black Hawk Down too. Bet you didn't catch that one did ya? 

Hugh Dancy in his big scene as Sergeant First Class Kurt "Doc" Schmid.

And let's end with my personal favorite. I saw the film, and there was one scene I played over and over again. It's Charlie Hofheimer's death scene where the medic Kurt Schmidt tries with futility to save the poor soldier. He was played by a little known British actor named Hugh Dancy, which began a renaissance in my loins, and I think after that I rented every fucking film he was ever in, and now he plays opposite Madds Mikkelsen on Hannibal when he's not playing second banana to his wife; Claire Danes...bitch.

My Hopes and Expectations for Prometheus

What is a Ridley Scott sci-fi flick without a skinny hot chick in her underpants running around all sweaty and frantic?

In a few short hours, I am going to have the IMAX 3-D experience of my life! Take that Avatar, Titanic, and James Cameron in general. I'm off to see Prometheus this Saturday, the Alien prequel that Ridley Scott had in his head for 35 years and finally decided to direct after Noomi Rapace became available. And we all have unanswered questions. 

1. What is the meaning of life?

2. Did Aliens actually plant our DNA here?

3. Who is going to be eventually running around in those tiny tight white undies a la Ripley crying and screaming for half of the film? (I'm being cheeky we all know that's already in the film, and we know who it will be too)

Everyone has beyond extreme expectations for this film and not without good reason, the trailer is just ambiguous and frightening enough to stir up all kinds of repository hypothesizing and wishful thinking. And considering the cast is how do I put this maturely...hotter than shit on fire, we're also all wondering who will be hooking up with who on the spaceship Prometheus until the mutated aliens eat their flesh and blow up their ship...I'm guessing.

Here's what I am predicting/hoping occurs on this magical beautiful day when I'm sequestered in a freezing theater surrounded by overly excited teenagers and sci-fi geeks.

-Idris Ilba's character and Charlize Theron's character get it on. 

-Guy Pearce's character and Charlize Theron's character get it on. 

-Everyone hits on Michael Fassbender's character because they don't realize he's a robot. 

-Noomi Rapace's character is forced to be in a state of undress covered in weird alien goop for a lot of the time. 

-There's some kind of sex in a pod.

-Oh and we have our minds properly blown by an appropriate overload of awesome all in spectacular 3-D. That too, is important. 

But we can't deny that if not sex, the implication of which is important to the most profoundly philosophical and existentially themes science fiction themes, even if only explored through the birth death ashes-to-ashes zygote to corpse themes as it usually is. But Ridley is a gentleman that loves to make gross allusions to the vagina by filling the mise-en-scene with grotesque slimey creatures that more often than not resemble a lady's nether-regions. Let's hope this film abstains from such metaphors and keeps the sex nice and normal. But with Ridley Scott, you never know. And that's part of the intrigue. 

Awesomely bleak and cryptic trailer.

And here's a really interesting article while you're at it -

Why Academics Love Alien and Its Sequels - Slate Magazine